This film was made up with formerly sensored scenes from earlier films from 1961 to 1974, plus unedited hard rushes from Benazeraf's just-about-to-be-released new film of the time, La Planque (1975).

This documentary brings a lighting on the originality and the specificity of the actor-author Pierre Richard, improbable synthesis of the talking ant silent films, heir to Buster Keaton for the gestural one and the expression of the body, and to Groucho Marx for the puns and the burlesque verbal one. Conceived like a voyage inside the universe of Pierre Richard, "the Art of unsteadiness" makes it possible to better understand its step, its method of actor, director and gag man. With through many testimonies, extracts of films and archives documents, drawn up here the portrait of one of the large last burlesques.

Actress Glenn Close can transform herself into different roles like a chameleon. Behind this versatility lies an artist who had to get over a lot in her personal life to become the star she is today. Close looks back on her long career of prestigious filmmaking.

"Droit de Réponse" (Right of Reply) is a French debate program broadcast between December 12, 1981 and September 19, 1987 on the TF1 channel, presented by Michel Polac and produced by Maurice Dugowson. Broadcast live on a weekly basis, on Saturdays from 8.30 p.m., the right of reply has been the source of many controversies, due to the various speakers who have come to present their point of view on the show (which leads to famous scandals , remained in the memory of viewers), but also for the variety and relevance of the topics covered, which ensured the success of the program on the air for several years. On French television, this program is considered by some observers as a “pioneer program in terms of controversy-show or clash, in modern language”.

Discovering your wife is sleeping with your boss can make a man do strange things. For a Samba-obsessed London clerk, robbing a bank and boarding the first flight to Rio are just the beginning.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

One of the pioneers of Belgian cinema, Émile Degelin, based this short film, which could be qualified as ‘filmed music’, on the electroacoustic composition for voice and tape Omaggio a Joyce, by Luciano Berio, which is an interpretation of the poem Sirens, from Ulysses. The dreamlike atmosphere of the film won its director the Silver Bear Extraordinary Jury Prize at the 11th Berlinale.

One of the pioneers of Belgian cinema, Émile Degelin, based this short film, which could be qualified as ‘filmed music’, on the electroacoustic composition for voice and tape Omaggio a Joyce, by Luciano Berio, which is an interpretation of the poem Sirens, from Ulysses. The dreamlike atmosphere of the film won its director the Silver Bear Extraordinary Jury Prize at the 11th Berlinale.

We don't have an overview translated in English. Help us expand our database by adding one.